Dr Lionel FEUGERE

Temporary Assistant Professor (ATER) at L2TI / Institut Galilée, Université Sorbonne Paris Nord, France.
Visiting Fellow at Natural Resources Institute, Faculty of Engineering and Science, University of Greenwich, UK.

Contact details

Address: desk E206, L2TI, Institut Galilée, Villetaneuse, France.
Contact: firstname.lastname@univ-paris13.fr

PDF Carnaghi, M., Mandelli, F., Feugère, L., Joiner, J., Young, S., Belmain, S.R., Hopkins, R.J., Hawkes, F.M. (2023), Visual and thermal stimuli modulate mosquito-host contact with implications for improving malaria vector control tools,
iScience 27(1):108578
PDF Feugère, L., Simões, P.M.V., Russell, I.J. and Gibson, G. (2022), The role of hearing in mosquito behaviour, Chapter 26. In: Ignell, R., Lazzari, C.R., Lorenzo, M.G. and Hill, S.R. (eds.) Sensory ecology of disease vectors.
Wageningen Academic Publishers, the Netherlands, 683-708.
PDF Feugère, L., Roux, O., Gibson, G. (2022), Behavioural analysis of swarming mosquitoes reveals high hearing sensitivity in Anopheles coluzzii,
J. of Experimental Biology, 225(5):jeb243535.
PDF Feugère, L., Gibson, G., Noûs, C. (2022), Comment l’entomologie et la musique peuvent se nourrir l’une de l’autre : le cas de la communication acoustique des moustiques, dans Lassauzet, B. et Montandon, A. (dir.), Les insectes et la musique,
coll. “Gream”, Hermann, Paris, p. 37-57. ISBN 9791037022493
PDF Feugère, L., Gibson, G., Manoukis, N. C., Roux, O. (2021), Mosquito sound communication: are male swarms loud enough to attract females?
J. R. Soc. Interface, 18:20210121. 20210121.

PDF Perrotin, O., Feugère, L., d’Alessandro, C. (2021), Perceptual equivalence of the Liljencrants-Fant and linear-filter glottal flow models,
J. Acoust. Soc. Am., 150:1273-1285.
PDF Feugère, L., d’Alessandro, C., Doval, B., Perrotin, O. Cantor Digitalis: chironomic parametric synthesis of singing,
EURASIP J. on Audio, Speech, and Music Processing, 2017:2.
PDF Feugère, L., d’Alessandro, C., Delalez, S., Ardaillon, L., Roebel, A. (2016), Evaluation of singing synthesis: methodology and case study with concatenative and performative systems,
Proc. Interspeech, 1245-1249.
PDF Feugère, L., d’Alessandro, C. (2015), Contrôle gestuel de la synthèse vocale. Les instruments Cantor Digitalis et Digitartic (Gestural control of voice synthesis: the Cantor Digitalis and Digitartic instruments),
Traitement du signal, 32(4):417-442.
PDF d’Alessandro, C., Feugère, L., Le Beux, S., Perrotin, O., Rilliard, A. (2014), Drawing melodies : Evaluation of Chironomic Singing Synthesis,
J. Acoust. Soc. Am., 135(6):3601-3612.
PDF Goudard, V., Genevois, H., Feugère, L. (2014), On the playing of monodic pitch in digital music instrument,
40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Athens, September 14-20, 1418-1425.

PDF Amy de la Bretèque, A., Doval, B., Feugère, L. Moreau-Gaudry, L. (2017), Liminal Utterances and Shapes of Sadness: Local and Acoustic Perspectives on Vocal Production among the Yezidis of Armenia,
Yearbook for Traditional Music, 49:128–148.
PDF Feugère, L., Doval, B., Mifune, M.-F. (2015), Using pitch features for the characterization of intermediate vocal productions,
5th International Workshop on Folk Music Analysis (FMA), Paris, June 10-12, 41-48.